RAW SUGAR presents SYNCHRONICITY
Created by Jenny Moeller and Rebekah Rentzel
Featuring Sulia Altenberg, Constance Brevell, Michelle Casali, Danielle Krivinchuk and Sarah Parker
It is the day of the competition. A small band of un-athletic girls from the city’s summer youth program all have their own reasons for being there. But stress is weighing on the team of 11-year-olds and tensions rise as they dream of glory - to win this year’s Summer Synchronized Swim Meet!
A part of Theatre Unbound’s 2015 GIRL SHORTS FESTIVAL playing March 7-15, 2015 at People’s Center Theatre in Minneapolis.
For more information or to buy tickets, visit: theatreunbound.com
MEET THE ARTISTS
REBEKAH RENTZEL is working for the first time with Theatre Unbound! Rebekah is co-artistic director of Raw Sugar, and is a theater educator at Open World Learning Community. She enjoys creating new works in the Twin Cities with Bedlam Theater, Mixed Blood, Barebones Halloween Extravaganza, Wheel Sexy Cabaret, Cerulean River Productions, and did some boss shadow puppetry in There’s Nothing to Tell. Her degree in Theater and Directing comes from the University of California, Santa Barbara. She is super pumped for Raw Sugar’s The Funny at Bedlam this June!
JENNY MOELLER joins Theatre Unbound for her second time, after directing for 2013’s 24 Extreme Theatre Smackdown. Jenny is co-artistic director of Raw Sugar and a freelance theater artist and technician. She has had the pleasure of working with Four Humors, Bedlam, Nimbus, Cerulean River Productions, and Stages, among others. She is very excited to be designing props for Theatre Unbound’s upcoming production of Hamlet and for Raw Sugar’s The Funny coming in June at Bedlam Theatre!
LEE JOHNSON (Stage Manager) has worked with Theatre Latté Da, Mu Performing Arts, Bedlam Theatre, 7th House Theatre and the Minnesota Fringe Festival in a Stage Management capacity, as well as a Child Supervisor and Spotlight Operator for Theatre Latté Da. Lee just finished serving as the Assistant Technical Director for KCACTF when Normandale Community College hosted it this January. He received his BA in Theatre Arts from the University of Minnesota, Twin Cities.
MICHELLE CASALI is stepping into the Theatre Unbound world for the very first time with Girl Shorts. You may have previously seen her drenched in blood during Dangerous Productions’ Frankenstein in the Twin Cities Horror Festival. She has also performed with Dangerous Productions in Happy Vagina Puppet Show and Hear No Evil. She is very grateful for this opportunity to work with the brilliant minds of Raw Sugar and hopes you thoroughly enjoy all the fancy land swim-dancing
DANIELLE KRIVINCHUK is making her Theatre Unbound Girl Shorts Festival debut. You may have seen her earlier this year as Chatty La Rue, in Theatre Unbound’s 24 Extreme Theatre Smackdown. Other theatre credits include Workhouse Theatre Company (Eastern Standard) Six Elements Theatre (Orpheus Descending, Much Ado About Nothing and Human Combat Chess), Freshwater Theatre Company (Freshwater goes to high school), Chain Reaction Theatre (Seven) 20% Theatre Company (Anon), Starting Gate Theatre (Our Country’s Good) and the Minnesota Fringe Festival. She Would like to thank her husband for his continued love and support!
SULIA ALTENBERG is excited to return to Girl Shorts after performing in Graceland last year. Currently Sulia is working to graduate from the U of MN in August, understudying for Anne Frank at Park Square Theatre, and performing in Illusion Theater’s Keepin It Real. You may also have seen her in Hour Town (Dana’s Boys), The Philadelphia Story (DalekoArts), or as Becca in the many Harty Boys Mysteries (Comedy Suitcase). Performing with Mainly Me Productions, Youth Performance Company, Frank Theatre, and at her high school, South High, has also made her life very fun.
CONSTANCE BREVELL is a Nevadan native and just recently graduated from Gustavus Adolphus College in 2014 with a BA in Theatre Honors. Before college, she went to Las Vegas Academy of International Studies, Performing, and Visual Arts high school where she majored in theatre. This is her first time working with Raw Sugar and she is very pleased to be involved with such wonderful people. She is very excited to produce a devised theatre piece again and she looks forward to working on many more shows with Raw Sugar and Theatre Unbound.
SARAH PARKER is happy to make her official debut with Theatre Unbound, after joining them in last year’s Smackdown. A Minnesota native, she appeared most recently in Aswar Rahman’s George and will be performing in Vile Affections with Gadfly Theatre later this month. She has also worked locally with Youth Performance Company, Hope Theatre Company and Acadia Repertory Theatre. She holds a BFA in Musical Theatre from the Santa Fe University of Art & Design in Santa Fe, New Mexico.
THEATRE UNBOUND ASKS
What was your first experience in theatre?
RR: When I was in preschool we did a Baby-Jesus christmas play. I was supposed to be a sheep, but I threw a tantrum and somehow ended up playing Mary. How did that even happen?!? I teach now and would have had a smackdown with my 4-year-old self about being respectful. But I think it worked out in the end.
LJ: I was the 9th Narrator in our first grade showing of The Three Piggy Opera. A little more realistically, I was effectively the Props Master on this random show our class put on in 5th grade. I remained involved with theatre in my schools since.
CB: It definitely started in church.
SP: My grandpa used to take me to CTC, and my dad would bring me to the Guthrie. I also memorized the soundtracks of a LOT of classic movie musicals.
Was there a particular actor/actress, show, theater company that made a big impact on you as an artist?
JM: Kathleen Hanna and Bikini Kill. While I’m not trying to put on a punk show (yet..), I find the way that Hanna always made space for women at her show is inspiring
DK: My brother and sister. Growing up watching them act in school plays is what made me want to act, and the passion they passed on to me has never ceased.
CB: Audra McDonald’s passion for the stage. I love looking up to someone I can identify with.
SP: As a child I was always really inspired by the shows in the WorldStage Series hosted by the Guthrie. Also Sandra Bullock. And Gene Kelly. OH but also and especially Barbra Streisand-my favorite movie of hers is ‘What’s Up Doc?’. Her character is basically my all-time role model, but I also really identified with her Fanny Brice when I was a kid, especially “I’m the Greatest Star”. As a Jewish girl with a big nose who liked to sing, she has always been really important to me.
What was the last play you saw?
MC: Happiest Craziest New Year at the Bedlam. What a fantastic way to ring in the new year!
LJ: A Christmas Story at the Ordway
DK: 20% Theatre Company’s If We Were Birds
SP: The Misanthrope at Bryant Lake Bowl
TU puts women’s stories on stage. What is a story about women that you would like to see on stage?
JM: Something about Ada Lovelace or Rosalind Franklin. They are two super smart women whose contributions to science and our modern worlds whose works are often ignored.
MC: I want to see more shows with lady clowns. I want female characters causing trouble and getting into silly situations and not learning anything but just having a stupid good time.
DK: Sisters and Friendships.
CB: Women have always been the underdogs in theatre, I would like to see more women taking a stand.
What do you do outside of the arts?
RR: I teach high school and help them make their art! I also work as a waitress at Bedlam. Here are two other jobs outside of the arts I have done: Christmas-toy-packager-and-shipper, answering calls from truckers at a dispatch site.
JM: I like to spend time with my husband, read books on feminist theory or romance novels, and watch documentaries on conspiracy theories and cryptozoology.
MC: I like to spend my time geeking out about craft beer, taking advantage of my library card, and snuggling on the couch with my goofy dog, Winnifred. Beers, books, and bullies!
SA: I watch a lot of the Dick Van Dyke Show and try to plan travels to far off places on my depressing actor/student budget. Woo! Hopefully studying Italian for four semesters will get me to Italy someday.
What is your biggest accomplishment to date?
RR: Starting Raw Sugar. Deciding to make your own work is messy and sticky and vulnerable and gross. It’s also extremely fun.
LJ: In life, being a financially independent adult for the last two years with little debt. In theatre, no one accomplishment stands out; each show has been its own little victory.
MC: Surviving this most recent Mercury in retrograde - it has been a doozy.
SA: Getting to vote was pretty cool!
CB: Getting a new car and car insurance.
SP: Last September I did a 10-day silent meditation retreat where I couldn’t speak, read a book, write, or do strenuous exercise, all I was really allowed to do was meditate for 10 days, and I thought that would be impossible for me, but I did it and I learned and grew a lot.
MORE ABOUT THE SHOW
Raw Sugar tells stories about women in zany, honest, imaginative ways. When asked a year ago to be a part of Girl Shorts, we imagined a team of misfit synchronized swimmers dancing onstage and we couldn’t stop gigging. Along the way, though, we became fascinated with the idea of how middle school girls would evolve if we rooted them in Commedia dell’arte stock characters. Commedia is a type of improvised street performance based in bawdy, loud, lascivious stock types - the selfish old man, Pantalone, the pompous, know-it-all Doctor, the forgetful Clown, the cowardly Captain, and the swooning Lover. These selfish, greedy, self-absorbed stock characters seemed to fit just as well in the middle school locker room. As adults we often say how hard it is being twelve or thirteen, but I think we forget how grotesque and intense and brutal and vain we all really can be, and Commedia nails that side of humanity. So Synchronicity is a fun experiment, exploring the dark and silly deep end of the youth community pool.
As a company, being a part of Girl Shorts is a fun part of a larger experiment for us. Raw Sugar often creates shows on our own, with only two or three people writing and creating and performing. Girl Shorts gives us the chance to create the script along with a troupe of amazing actors and one amazing stage manager. So this twenty-minute snippet is our first draft of an experiment in group devised theater, and we are so grateful to get to sit on our butts and laugh while the actors do amazing work. So thank you actors! And thank you Lee!